Their shared warmth and solidarity serve as a powerful metaphor for human relationships, highlighting how support and companionship can provide comfort and strength in adversity. Just as these horses lean into one another for safety and reassurance, people often find solace in shared silence.
This piece is part of the new equine series, exploring human relationships through expressive horses.
30×40” Charcoal & acrylic paint on canvas, framed
This mixed media piece is part of the new equine series exploring relationship dynamics through the expressive antics of horses.
30 x 40” framed in 1 inch wood, painted black
Charcoal and acrylic paint on canvas
Neutral colors, warm earth tones
Part of the brand new equine series, exploring relationship dynamics and emotions through expressive horses.
This mixed media piece is charcoal and acrylic paint on canvas. Neutral colors, with a bit of deep blue and warm earth tones.
36×36×2 gallery wrapped canvas, painted edges, ready to hang
“She is strong, but she is tired.”
This painting explores the nuance of relationships through the expressive gesture of the horse and subtle use of color and texture.
Charcoal & acrylic paint on gallery wrapped canvas. Neutral color palette, with subtle mauve and gray/blue tones.
36×36×2 galley wrapped canvas, unframed, ready to hang
Commemorating the 150th running of The Kentucky Derby, “Starting Gate Thunder” captures the thrill of the most exciting two minutes in sports.
Vivid, rich colors and energetic brushstrokes combine to make this unique depiction of the excitement of thoroughbred racing.
American Pharoah, a remarkable racehorse, etched his name into the annals of horse racing history by becoming the first Triple Crown winner in 37 years, achieving this feat in 2015. His illustrious career culminated in a Grand Slam victory.
Vibrant colors and lively brush strokes capture the energy and excitement of thoroughbred racing in this one of a kind painting.
36×36×2 gallery wrapped canvas
Unframed, deep edges are painted black, ready for hanging.
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